
Pierrot and Harlequin eternal conflict
Painted in 1888-1890 by French artist Paul Cezanne (1839-1906) “Pierrot et Arlequin”, or “Mardi Gras”. The painting belongs to the State Museum of Fine Arts Pushkin in Moscow, located in the gallery of art of Europe and America, XIX-XX centuries. The constant conflict between two temperaments – Piero (Italian version – Pedrolino) and Harlequin, traditional characters of Italian commedia dell’arte. As for models, for Cezanne posed his son Paul and his friend Louis Guillaume. Cezanne paints arrogance and cynicism of a quirky and cheerful Harlequin and insincerity of shy and secretive Piero. It seems that dreamy Pierrot is thinking about something else, but if you look closely, you can see how he secretly wants to push Harlequin.
White melancholic figure of Piero seems made of plaster. Red and black tights of self-confident Harlequin symbolize the flame on coals. Different Location of colored left and right curtains emphasizes forward movement of Harlequin and a static position of Pierrot.
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