St. Sergius of Radonezh and Scenes from His Life. Pall. 1671. Detail. Donated by Anna Ivanovna Stroganova
Russian Medieval Embroidery art of the I5th – I7th centuries have unsurpassed historic and artistic value. The collection of Sergiev Posad Museum, which is in the old city of Sergiyev Posad in Moscow region, founded in 15th century, presents various figurative and ornamental compositions embroidered in multicolored silks, gold and silver thread and pearls. It acquaints with an original sphere of Russian medieval art, which had much in common with icon-painting and folk art. The embroidered items were greatly appreciated and carefully preserved: icon-cloths, palls and shrouds, icons, ancient books and church vessels of precious metals.
St. Sergius of Radonezh. Pall. 1581. Detail. Donated by Tsar Ivan the Terrible and Tsarina Maria Nagaya
The embroideries were produced in special workshops. Well-trained needlewomen worked there. The workshop was usually supervised by the lady of the house – boyarynia, princess, tsarina, who was often a skilful embroiderer herself. Since the I5th century the leading place belonged to the Grand Prince workshops, which since the mid-l6th century were called “tsarina’s chambers”. The collection of icon-embroidery of the first half of the 15th – early 16th century is most comprehensive. It was the time when icon-painting flourished in Russia as the result of general revival of Russian lands. Icon-painting led to the reinforcement of pictorial nature in embroidery as well.
1674. Detail. Donated by Princess Anna Vasilyevna CherkasovaAer and two purificators. St. Petersburg. 1795. Donated by Empress Catherine II‘Agnus Dei’. Aer. The first half of the 15th centuryChurch Feasts and Saints. Icon-cloth. 1499. Donated by Grand Princess Sophia PaleologusEpigonation. The Resurrection of Christ. Moscow The first three decades of the 18th century. Donated by Empress Anna Ioannovna in 1730Epitrachelion. Mid-17th century. Vexillum. 1667.Great Martyrs Catherine, Anna and Paraskeva. Icon. Moscow. 1731Icon-cloth. The Appearance of the Virgin to St. Sergius of Radonezh. 1525Icon-cloth. The Virgin of the Sign. Late 15th centuryPall. The Crucifixion. 1514Phelonion. 1630sPhelonion. Last quarter of the 17th century. DetailPhelonion. St. Petersburg. Mid-18th century (before 1757).Sakkos. Russia. 19th century. Belonged to Filaret (Drozdov), Metropolitan of Moscow and KolomnaShroud. The Entombment. Early 15th centurySt. Sergius of Radonezh. Pall. 1420sSticharion. 1635, 1646The Appearance of the Virgin to St. Sergius. Pall. 1567. DetailThe Burial of St. Anna. Icon-cloth. Second half of the 15th centuryThe Crucifixion and Selected Saints. Purificator. Mid-15th centuryThe Crucifixion. Purificator. Late 15th century.Donated by Grand Princess Sophia PaleologusThe Entombment and Feasts. Shroud. Late 15th centuryThe Entombment. Shroud. 1561. Detail. Donated by prince Vladimir Andreyevich Staritsky and his mother YefrosinyaThe Entombment. Shroud. 1798. The Trinity-St. Sergius Lavra. Embroidered by P.Ya. ShatilovaThe Golgotha Cross. Icon-cloth. 1550. Donated by tsarina Anastasia RomanovnaThe Golgotha Cross. Pall. 1557The Golgotha Cross. Pearl icon-cloth. 1599. Donated by tsar Boris Feodorovich GodunovThe Trinity of Old Testament And Church Feasts. Purificator. Second half of the 15th century